deep88 presents his new lp ‘the black album’. this double-vinyl houses his personal style that is reminiscent of the sounds of a bygone era whether the depth and warmth of new jersey and italian house, a dose of sun-soaked balearic or primitive raw jams synonymous with chicago.

when we started heist a few years back, our idea was to give a stage to talent in a same way as we have had a helping hand by the labels that have supported us from the beginning. therefore, i’s our pleasure to share this release with you by newcomers ouer, a berlin based duo with only a handful of tracks out so far on their self released debut last year. their approach to producing is very much jam based, and with a compact collection of synths, drum machines and a fair level of distortion, they succeed in creating their own sound with hints of classic electronic music from chicago and detroit. theres a nice mix of energy on the whole ep, the ascent being the most driving track of the package. fans of classics mcde tracks will love show off with its dreamy dx7 style chords and cracking acid lines. move over feels like a jam session that was way too much fun with some lovely solo work on the synths, whereas mess around goes down in similar free-ride style on the synths and again, has some lovely sampling going on. an impressive ep were just all too happy to have on our label. sincerely yours, lars & maarten

elephant moon continues its steady schedule of releases with a brand new ep from label owner john dimas and danish talent samuel andre madsen (aka s.a.m). on this fresh new release we re treated to two tracks from monsieur dimas and two from s.a.m. to open we have a quirky little space jam called moon patrol by john dimas. it has chunky percussion at its foundation with off-key chimes and cosmic pads giving it an interstellar feel. samuel s reshaped for moonwalk mix puts john s mix on a diet, making it far lighter and focusing on the ethereal elements turning it into a sweet galactic ditty. on the flip we get a sombre bossa nova ride from s.a.m., all jazzy with a grooving bassline and galloping beats. its a cool, laid back riddim from the dane and were sure youll love it. john dimas gives the track his own monday mix, bringing the tempo down even more and crafting a delicate heady rework.

it’s been some time since the last black jukebox edition came out. this time shir khan hits us with the 14th edition featuring onsra & bas roos. secret parisian project onsra came out of nowwhere with his debut track funky town‘ which was the best selling track on exploited last year - topping tons of charts. support did come from various djs such as disclosure, danny krivit, laurent garnier, dj sneak, luke solomon, adriatique, terranova, ardalan, ben pearce, friendly fires, xxxxy, miguel campbell, jaques renault, rainer trueby, dj t to mention a few. now he is back with 2 new joints - so good is a 112bpm loopbased disco house jam which reminds a bit of old soundstream records. other day is a real boogie joint. bas roos on the flip is a newbie and youngster from rotterdam with a fresh residency at toffler club keeping things smooth and mellow with searchin’ and don’t let go the disco limited collector s vinyl only. cop that before it sells out.

here comes another release by echologist aka brendon moeller. brendon did several releases over the year and here comes the next bomb!! these tracks were recorded in autumn of 2016 in brendon’s home studio that is conveniently located in the basement of his home in upstate new york. the tracks were made using a combination of hardware and software. the protocol, well, sync all machines via midi and cv and then jam. once a jam seems to take on a form he multitrack record all elements in ableton and then create a final arrangement and mix down.

mark henning delves into his bag of tricks for release no. 4 on his own imprint swing recordings.

maeve is the record label run by three close friends, mano le tough, the drifter and baikal. for maeve’s eighth outing it has enlisted the talents of long time friend ed davenport. the record grew from a chance hearing of some new material at eds studio one night and after a brief discussion it was decided that the tracks would find a fitting home at maeve. although recently more known for his harder techno releases under the moniker inland, silver walks is some what a return to eds roots. slower, emotive, more contemplative tracks, recorded over a pretty short period of focused studio time. silver walks is a synth-led jam. the arpeggiator holds pride of place as the centre of the tune with filter tweaks complementing its progression. kuromaku has a tougher attitude - heady and cosmic with a deep kick. it means black curtain in japanese.

jacking chicago tracks on this first ep by offenbach s freshmen am unit containing three original tracks plus a solid remix by lauer (one half of tuff city kids). a-sided gotta slow down and hold back are classic examples of dancefloor fillers while b-sided raw jam is a hard and super effective acid track that leaves no-one indifferent. the dub mix of gotta slow down by lauer is an oscillating interpretation of the original track with an efficient piano line! limited to 400 hand stamped and numbered copies!

the mysterious but widely acclaimed r-zone series roll on to a 15th ep now with a new four track release that is as essential as ever. opener hired gun is a tough and raw concoction with coarse, snappy snares, rough drum pings and lots of abrasive texture all making for a physical listening experience. midwinter is a deeper and more emotive jam with warm pads dampening down icy hi hats and busy synth work. it is fresh and original and sounds like little else, then captive gets all deep and space-y with smeared pads and slick metallic hits tied together with a molten acid line. lastly, exile is five blissful and beautiful minutes of atmospheric, intergalactic electronic sounds that really take you to another place

it’s been a while but hey-ho, coincidence is back on vinyl. the tracks we got from aussie based female dj trinity were simply too analog sounding, so slapping it on wax was the logical thing to do. the vinyl release adds remixes by two of our alltime heroes - steve stoll and daniela la luz. basically: the originals are deep and darkish, the steve stoll rework is a rework in one smooth jam so with plenty of energy while daniela’s version does it really smart and housey. so on with the friggin show!
early support from: amelie lens, charlotte de witte, codeless, didier beydts, electric indigo, eric cloutier, flash brothers (cr2 / armada), goldfox (forty five), jim poe (inthemix), joseph capriati (drumcode), mickael davis aka dolby d (italo business) , paco osuna, paride saraceni, radical g / linear straight, redhead, robert owens, seba lecompte , steve cop, trinity, twist3d (bunker records), ...

ltd to 300 copies
das komplex emerged from thin air last year with a series of tasteful 12 s that piqued ears from producer peers and vinyl seekers alike. near me , the latest offering from the polish impresario s coastal collection of body movers and mind melters, is a warmly welcomed fit for young adults 10th release. openwork socks kicks off the festivities with a sultry slab of machine music for soft humans. while tortuous thoughts dusts off the flutes, strings and soulful vocal samples for an all out disco-boogie jam that will fill floors with ease. the title track, near me, tips its cap to kraut and liquid liquid backbone elements as it chugs its way into a squelching 12-minute opus. finally pralina pounces on its way out with dubbed-out funk licks and slick phase shifts.

seegweed is back with three diabolical edits in three various directions but all with one thing in common...they all got soul! this time around you ll get an peak time aretha franklin rework, a latin-soul escapade with bill withers and a jazzy house jam from nancy wilson. gamm does what gamm does best make you dance !

continuing to refine the special marriage of smooth grooves and fat beats that has so quickly come to define them, dewalta & shannon have delivered eight distinct peeks into an electrifying creative process that run the gamut from deep and moody to minimal or, dare we say, jazzy. split into two vinyl releases and a third, comprehensive digital drop, residual appears first as a playful introduction to the lay of the land, complete with a mean-ass modular monster aptly named jugular dub that could belong to no one else but these two. the second installment brings us the old-school banger begging for a big room, miss wrench, followed by a deconstructed jam session on the moon and rounded out by the sonar-bleeping duality.
the 180 gram vinyl comes in deluxe printed colour sleeves.

brought to you by the berlin-based power duo known as dewalta & shannon, this one’s coming at you in three parts: a very special puzzle we’re excited to be putting together. continuing to refine the special marriage of smooth grooves and fat beats that has so quickly come to define them, dewalta & shannon have delivered eight distinct peeks into an electrifying creative process that run the gamut from deep and moody to minimal or, dare we say, jazzy. split into two vinyl releases and a third, comprehensive digital drop, residual appears first as a playful introduction to the lay of the land, complete with a mean-ass modular monster aptly named jugular dub that could belong to no one else but these two. the second installment brings us the old-school banger begging for a big room, miss wrench, followed by a deconstructed jam session on the moon and rounded out by the sonar-bleeping duality.
the 180 gram vinyl comes in deluxe printed colour sleeves.

2016 repress, without artwork cover
heist kicks off the new year with the first ep of dam swindle since they put out their album boxed out back in march 14. the punch drunk ep is the result of a series of jam sessions in their studio, experimenting with their ever growing studio setup.

two new original tracks by sebo k plus remixes by diego krause and djebali of his tracks a journey and nexus which were released on the first release of his scenario imprint. vinyl only

giant panda guerilla dub squad follows up steady - their billboard reggae chart topping release from 2014 - with an americana/jam/country album. recorded concurrently with steady, again working with producer craig welsch (10 ft. ganja plant), bright days features this unique band further establishing themselves as the only reggae band that can moonlight sounding like american beauty-era grateful dead and early neil young. the record features a harmonica guest spot by g. love on *humboldt county gold*.

on his new ep for the magic movement, rio de janeiros own carrot green blends brazilian music, house and techno to generate his own exceptional dancefloor gem. already proven in the brazilian shakedown series plus more stunning releases, this extraordinary producer knows his trade.
the title track *dança das crianças* features brazilian spoken word, chanting and slightly peculiar synth chords enhanced with a strong house beat. following is the remix by oceanvs orientalis, who turns the tune into a hypnotic and bass heavy listening adventure.
flip it around and trip out on *duress (psyche mix)*. this psychedelic slow bomb transports you to places deep down the rabbit hole. the ep closes with *marruero*, a peaceable house jam with cut up piano samples and brazilian story telling. from rio with love!

a natural harbour for a crop of artists for whom sounds, histories and futures dance together. a label whose ascetic designs reflect the inspiringly sparse landscape of its spiritual home.

radiating from the online world through a limited batch of puristic, meddling drum-programmed experiments, this three-track debut is a pure tour de force in experimental, jazz-infused, worm-hole techno and house. the undulating 808 underpins the overtly spectral sound-design canvas deployed across the ep, from the scatter-delayed percussive proto-congas on *-* to the piano melancholia employed on *--* and the erratic time-stretched mood-shift that pivots around the centre of the 11 minute jam *---*.

keeping up the urgent pace set by the strength in numbers collection, thema now turns to a modern master of the jakbeat, d’marc cantu. hailing from ann arbor on the fringes of detroit, cantu has worked for more than a decade developing a sound that carries the torch from the box jam originators of techno and house music. his first appearances were alongside the mighty tadd mullinix (better known as james t. cotton) with their 2 am/fm project, before bringing traxx into the fold for the x2 venture. as a solo artist cantu has shored up on labels as highly regarded as crème organization, m>o>s, nation and desire, bringing a rich, full-bodied sound laden with powerful synth hooks, crafty drum programming and a live, jammed-out delivery that overflows with imagination. given his adventurous tendencies and punchy midwestern finish, cantu is a perfect fit on thema and the six tracks that make up this record show a great deal of the diversity the man is capable of, from dancefloor burners to atmospheric introspections.

luv*jam presents error404 and oddnipp. 2 secret filth bombs from somewhere out of nowhere. check out the bjj nippi side project too - the legend of gelert also.

e present the first of three 12inches to celebrate our 10th anniversary. for the a side dam swindle radically rework sometimes into not another sometimes, a killer raw analogue jam that demonstrates a real development of the ds sound. for the b1 we re buzzing to finally release an original track from matthew styles, who s been on remix duties 3 times over the years, with the infectious house of jungle fever. last and by no means least the carter bros give us tempting disco fate, a rolling disco loop with the mother of all bassline changes at the end of the track. look out for part two dropping in april featuring a jimpster edit of galcher lustwerk, fort romeau remixing the first ever tsuba release from williams and a tsuba debut from roy comanchero.

by all accounts, whiskey disco has matured. each release unique, but compiled meticulously to meet some of the highest standards in the edit community. wd45 continues the trajectory with 4 tracks combining equal parts soul, boogie and disco. rastanils cuts up cheesy obscurity to reveal heavy disco vibes—this edit was smashed by mcde at numerous festivals in 2015. next up, the intriguing corsican brothers reappear after a 5 year absence from whiskey disco with a sliced version of i like it, beefed up bass and space on the platters with a touch of dub. side b exemplifies the weirdness only a b-side can… albions disco chopper is a stretched and phased party jam that does not stop. move to the inside for the lengthy and epic big time, a 9 minute exploration into rocking disco roots, courtesy of the eponymously named blaxploitation movie from 1977.

for our 9th instalment, holdie gawn takes the lead and is delivering his first solo ep for sylphe, while micawber takes a break. on the a-side, holdie gawns natural habitat, we find yborg, a 12 minute long piece of darker, glitched-up techno which moves slowly yet forcefully. expanding into a terrain of bleeps and dissonant harmonies, ‘’yborg’’ number remains loyal to the twisted sylphe electronics we have been used to. on the b side we have t & t, a rolling, broken beat swingy techno-house jam which grooves effortlessly and shows a different of holdie. wonky, bubbling basslines and stretched voices complete the mosaic of holdie’s the first b side. our 9th release will be out in time for our 3rd birthday, around mid-late february

a 12 stuffed to the brim with music by c.k & timeman, dj sports, optic & maizena!!! rhythmical ambient house music á la izquierda! on a1 timeman (central) and c.k (of 2 bit crew) pick up the thread of rb02 and can be enjoyed in uninterrupted continous play for a full 22 minute listening experience. a2 is a floating groovy ambient’ish jam by the other half of 2 bit crew, optic. rb’s youngboy dj sports delivers a slowmotion jungle track for a lightweight dancefloor moment on the flipside. b2 is an extended version of the monotonus soft-house-beauty tiny music by the group maizena.

mono junks dum records has been dictating trends in the world of minimalistic techno since the 1990s, and its 34th release is as special as any. this one comes from label boss kimmo rapatti aka mono junk vs mesak, who is better known as fellow finn, tatu metsätähti, aka one half of mr velcto fastener and someone who has released on dexter & steffis klakson. together the pair serve up three mixes of their jam and an additional track. title track deep in my mind is a paranoid techno cut with freaky vocal riffs repeating the title as gurgling synth lines and sleek drums rumble below. twitchy synths and high pressure perc add to the hypnotic effect, and overall its easy to see this one making for some perfectly weird dance floor moments. the mix by mono junk is completely the opposite: in his hands it is a beat-less, serene and beautifully styled electro cut that takes you deep into brain soothing space. the electro mind version is then a full on electro jam, with plenty of aqueous synths and fluid lines all squiggling along in classic detroit style. final track sysdrum is back to the raw, with angsty drum lines, crisp and slapping snares and oodles of reverb all making for a brain frying trip.

french label d3 elements returns to chicago for its next ep, this time looking to the assured house talents of hakim murphy for three tracks of raw, dense grooves right from the heart of the windy city. opener boxbeat is a curious, freaky jam with bobbing percussive hits, wonky, pixel thin synth lines and free roaming pads that wrap the whole thing in a nice sense of spaced-out serenity. taste o rainbow has a much more firmly planted kick drum that pounds away uninterrupted below a free flowing brew of modulate synth sounds. it s expertly reduced and masterfully reserved and is sure to send dance floors wild as a result. the flipside cut freshness has pinging drums and a big, frazzled bass line as slithering chords rain down the face. musical yet jacking, cosmic yet propulsive, it is a perfectly contemporary chicago house sound that rounds out a fine ep from one of the best in the game.

heard on “melancholia” are interpretations of honzo’s subconscious visions of life. the intense compositions are made up of drones, noises and distorted beats moving in and out of the frame. on opener “orientalism” said elements blend with hi-hat brushes, brassy synth pads, sci-fi noises and distant human voices evoking islam’s “adhan” (call to prayer). the theme contemplates over alienation caused by western accounts of “orientalism”, soaked in “hüzün” (the turkish term for melancholia). on a2 a rework of “moral masochism” is provided by the mysterious shadows outfit, starting with a distorted guitar over a slow and gritty rhythmic backbone which gradually turns into a chaotic high-intensity acid jam on the ep’s most dance floor suitable cut. on the flipside, “lovesickness” presents a broken kick rhythm periodically flipped by toms and accompanied by a disorienting hi-hat rhythm, ghostly strings and sporadic human moans – all resulting in a tribal mood, recalling a ceremony, perhaps a quest for a saviour from the blue temper? b2 presents the “moral masochism” original. again a distorted guitar plays over a slow rhythm, but compared to the remix, the original’s intensity is introverted, contemplating over melancholia’s effect of deriving gratification from self-inflicted moral humiliation. ambient closer “emptiness” explores a cold state with such an encapsulating airiness that it feels like a close account of another person’s mood down to the impression of their breath. arpeggiated synth noises appear from a distance representing increasing pressure from the outside world without ever suppressing the state of mind. as a result, “emptiness” sums up the state of melancholia experienced as a mood rather than the effect of a cause.

soooo here we are with the tenth and final release, thought it would be nice to finish on a nice zen like number, so this is a extra special release kind of a mini lp almost -opened up by fx mchn flush the trush is an intro to the comp and a reverse funk skittish affair next up is new man on the block for us here we been sitting on a collection of his tracks but felt this one complemented this ep the most, ecco foul, gloss is a sleazy machine groove that does t do much but thats just the way we like it .then comes mr facade with his jerky funk sweet surprises and warm melodies. the b side is opened by another newcomer from running back record hugh mane new age dawns whose track come s deep and wide open has to be heard on the headphones as well as the club jamie blanco s chord arrangments get opened up and spaced out by lht office boy toby tobias in a detroitesque ditty thats been used to open a few sets in 2015 already and finally alphonse delivers an out and out machine jam with the usual dub influence brought in vocal fashion.

garrett david and adam rowe return to stripped & chewed with an accomplished new ep, “now that we are here, where are we?”. also known as the bell boys, the pair were last seen on a funky electro 7” for star creature following 2013’s “hotel garma ep” for discovery recordings. this new five track record finds the chicago-based duo making major strides forward in their already rather mature sound, fusing razor-sharp rhythms with plush melodies informed by deep knowledge of house music history – no surprise from two buyers for chicago institution gramaphone records.

if you ve followed local talk thru the years you ve most likely noticed how we like to throw a few curve-balls every now and then. for our 65th release we ve got gomma boss mathias modica aka munk and ndatl head honcho kai alce sharing the black gold. two producers with their own unique style presenting something special. while munk s original version of hot medusa is a shimmering and warm head-nodding & toe-tapping jam, the remix by mr alce is deep, soulful and musically rich house. two very different takes on one track, take your pick. on the flip munk delivers purple dust. this time he s upped the tempo a few bpm s, accompanied by a deep bassline with lush melodic synths and chords. mr alce ends the 12- with a dub of hot medusa which is brilliant from start to finish. another highly recommended and essential release.

ltd pressing, straight from sao paulo, the debut ep of sphynx (aka marcio vermelho and pedro zopelar) is undoubtedly pure balearic bliss! intricate masterful compositions fascinate with live guitar, drum machines and vintage synths combined in a harmonious arrangement. without the use of any samples, sphynx constructs the perfect soundtrack for every sunset between ipanema and ibiza. no ar captivates through its unforgettable bassline and dreamy synths, while enigma shows the producers love for spheric new beat and proto house. on the flipside, tempestade explores the realm of electro rock, while toby tobias remix transforms the title track, with rough drums and the synth work, into a psychedelic uptempo jam.

parisian label escapade launches with a four-track 12inch by yuri shulgin. the russian artist first appeared in 2010 under the mistanomista moniker on the italian label black sunshine. he later released three records under his real name, first on anton zaps ethereal sound, then on black wall and finally on modernista.

naïf strikes back with a double package of analog madness.
side a brings back a techno-evergreen by florida boys in an excellent remix version by patrick raddatz.
while side b proves that gunnar haslam does it best with just one tool. a speedy 606 jam for your pleasure.

willie burns (the trilogy tapes/wt records/ l.i.e.s. records) complements this unusual walk in the woods by absorbing it into his warehouse banger signature. burns rework focuses on micro events of the original to create a sort of granular house version out of them. the adventure continues on a somewhat melancholic turn with we have been here before and sometimes as the b side. while we have been before is a more dancefloor-oriented take to krautrocks signature synthline layering, sometimes is norwells venture into a more techno universe than he’s mostly associated with to come out with a soothing, yet banging work. as digital bonuses, norwell offers glimpse a short but catchy synth jam riddled with different layers of complexity. this piece is then taken into obscurity by farbwechsel records boss s olbricht for a ride into a 80s-cyberpunk club where people are trying to dance their problems away in a dystopian world.

make it right sees typesun bring together mobo-award winning jazz quartet empiricals lewis wright (vibraphone) and top guitar sessionist miles james with a group of bristols finest musicians, inspired by the great soul and rare groove producers of the past. the result is a lush, melodic house jam pinned down by typesuns finely-honed production chops and backed by a detroit house remix from fxhes jason fine.

solarism is the result of a common fascination for landscapes and a passion for contemplation.after two decades of an unbreakable friendship, we have finaly imaginated this protean entity to express what contemplation has offered us and how it connects us to the world, describing those experiences through music compositions, dj performances and welcoming other artists to release their art.we are really happy to introduce you to this new space of expression, with two arno e. mathieu’s pieces of music and a juju & jordash remix.on a1, as an expressive musical landscape, « ginger & lemon » describes a melancolic journey, starting with a balearic theme over a 707 tom groove, a melodic bass-line and some intense chords till a dark and tragic synth ending. a2 is the juju & jordash remix of « ginger & lemon » in a real moody jacking & swinging style, perfect for the crazyness of club s peaktime. on b1 « hapax» is another arno’s long narrative jam of acid and melodic synth, over a powerful bass-line and a driving drum, recounting the appearance of something which happen only once, but which always let his imprint.b2 is the arno’s drumless version of « hapax » for a more contemplative experience…welcome in solarism

hnnys big tune nothing from earlier this year now remixed by kyodai alongside a killer unreleased latin house jam from kyodai entitled vengo loco .
no fuzz...just a serious buzz on this one!
limited stamped 12 inch !

dublin based first second label debut their first 12 inch from russian obscure techno stalwart bessiekats *oh, night wish ep*.
*thorny bushes an buches* is a throbbing jam that rides at a relentless 130bpm, with heavy kicks and rattling echoes drowned in a sea of hi-hats. *your leaves* is similarly abrasive, with alternating toms and cowbells leading the way for nightmarish strains. *808 times* closes the release in a relatively serene mood, its electro kicks and gated synths showing bessiekats well rounded approach.

nice price deal !!! manchester s techno alchemist and master of the roland tr-808, the enigmatic mr.raw, debuting mancdetroit 12” on win or loose records straight outta toronto ca! long term nightclub shaman on the northwest of england circuit, raw served time in rotterdam s early 90s gabba circles before returning back to manchester to twist brain s n bodies with his wild blend of freestyle techno. raw s witnessed trends in production go from hardware to soft and back again but he s never strayed from a solid rack mount set up based solely around the tr-808. with a few added choice fx processors raw s style is loose n live and captures a pure spirit rarely exercised by today s pacified youth. -perseus dance- sounds like the kind of shit the great ron hardy would jam on, with two copies, for hours. inflicting a sherm-stick flavored mind-blast to the floor that may have indeed caused the good man to blush, we find percolating 808 percussion woven together with a mystic, fizzing lead line and twangy analogue artifacts. darkside acid dragged wailing and whining from rusholmes drains. flip and we have -hard on-: a twisted x-rated porno horror jam. raw s rapid-fire double-speed drum loops firing away while a plethora of abhorrent vox and coital sounds converge onto the track. a total wrecking ball of filth and hellish distortion which just smolders away in the basement of some sadistic nightclub like a rotten but highly intoxicating fungus ready to switch on any passing freaks.

** repress 2016 ** two of the black madonnas most sought after early tracks return to circulation alongside one burning new jam on goodbye to all this, the latest release from stripped & chewed. drawn from the chicago labels 2012 compilation livin for the city ep, the piano dappled joy of *exodus* luxuriates across side a, spreading the good word with a pounding beat. *we dont need no music (thank you, rahaan)* from scrs004 takes another whirl around the dancefloor, its pinwheeling horns and infectious vocals pulling even wallflowers into the fray. and in case two remastered sure-shots arent enough, the brand new *who do you need* closes the record with a soulful thwack: half uplifting house, half blistering techno – all peak-time fodder. a fine addition to the black madonnas discography alongside records for argot, the nite owl diner, hometaping is killing music, and of course stripped & chewed.

mosco fell asleep and awoke days later with red axes. this is their joint offering for the esp institute. dikembe manutu, the fictional character whos name gives title to our thumping a side, establishes a lush theme based on meandering steel drums and reverberating toms while a slew of rich percussion leads us through the jungle on a melodic galloping bassline. once this deep groove gets us rolling, were treated to a variety of twinklling melodies that float high above. on side b, rage in the cage is a true live drum machine jam, full of bleeps, detuned toms, abrasive cymbals, and plenty of left turns. we can only imagine the mood in the studio as these three old friends frantically smacked buttons and tweaked knobs, creating happy accidents and loving every menacing moment of chaos as they stirred this cauldron. these two songs will make you thirst for exotic nectars.

we are happy to welcome ghosts of the sky in the family, 65th & lawndale is a deep and strong track sitting in a side, magical chords, stomping bass and lush drums are the secret of this beauty, a future classic. on the other side, melanin is a bit darker with its flowing pads and acidic bassline, really personnal. acieeed, like you might imagine is a pure acid jam in its most classical form. a fantastic ep we are proud of.

dj sounds presents captured, a 3 track ep for the house heads. lazy is a ready-to-go exercice, easy to spin and fresh house track in its most classical yet very personal form, captured is an intense detroit oriented synth jam and dj beats is a short drum track reminding of the beat of track 1. that 001 is for the djs who care about a fresh record of house. and those who like to dance

limited to 300 units on 180 gram vinyl with a4 info sheet.
marvis dee, dream adventurer and producer delivers a deeply melodic and synth laden voyage into the subconscious for dublin’s lime street music. blissed out and loved up synths combine with slow-jam grooves and retro feeling on this deeply ethereal trip through planets, jungles and tape collections.

the invariants are back with a new record in similar fashion. synths to mess with the mind, hypnotising drums to stimulate the body. the a side features a jam in two parts supplemented by two acid filled cuts on the second side

minimono strikes back this time on new born italian label greentech joined by a remix by neverthelss than mr paul johnson. this 4 tracker starts with the raw filter house banger track named boogie, follwed by follow me a dirt dry funk house jam. on the b side we find the deeper and rawer vintage roller the difference followed by the percussive ghetto interpretattion of boogie by paul johnson. solid ep for the 1st release of greentech music.

wake up! records is proud to announce rise and fall, the debut ep by ian oakley, a new talent from toronto. skewing acid-tinged house with languid, lopsided grooves, rise and fall weaves a mix of dubbed-out elements into a unique, intuitive whole. “thumbs” evokes a liminal space perfectly suited for late night cruises and hypnotized foors. “rise and fall” stays true to its name, a slippery bassline ebbing and fowing against a elegantly mellow beat. on the b-side, “bug jam” indulges oakley’s electro side, while label co-owner benjamin brunn remixes “rise and fall,” reimagining the original as a spacious, kosmiche slow burner. rise and fall is a confdent debut, as potent in headphones as on the decks and a welcome edition to the growing wake up! catalogue.